Curation
The following documents present a few of my curatorial projects from 2015 — 2025. Each of these initiatives reflect my abiding interest in artistic collaboration and interdisciplinary arts research. Many of these initiatives are collaborative efforts with other artists, reflecting collective interests and shared values. These activities form a basis for artistic community and dialog, and comprise an important dimension of my artistic practice.
Strange Loops
Artspace New Haven
December 14, 2019 — February 29, 2020 | A group exhibition co-curated with Federico Solmi at Artspace New Haven, featuring works by Sam Messer, Sarah Oppenheimer, Jon Kessler, Ana María Gómez López, Blinn & Lambert, Ilana Harris-Babou, Teddy Mathias and The Virtual Dream Center.
New Media Architectures
Denver Theater District, Night Lights Denver, and ACM SIGGRAPH | Denver, CO
July 24 — August 4, 2024 | Curated with Maiza Laurent Hixson and Gustavo Alfonso Rincon, in partnership with the Denver Theater District, Night Lights Denver, and ACM SIGGRAPH, featuring works by Rose Ansari, David Bennett, Blinn & Lambert (Nicholas Steindorf & Kyle Williams), Peter Clark, John Colette, Audrey Coombe, Lisa Crafts, EVPRAXIS, Laura Harrison, Yoon Chung Han, Maiza Hixson, Adam Hsieh, Cheng Guo, Woohun Joo & Kyuha Shim, Lisa Kereszi, Nikita Kolbovskiy, Young Joo Lee, Maxim Mezentsev, Jérémy OURY, Maya Perry, Han Qin, Andrey Rylov, Minka Stoyanova, Tamiko Thiel, Clea T. Waite, Xi Wang, Xiaotong Wen, Yufan Xie, and Weidi Zhang.
Visiting Artist Program
Center for Collaborative Arts and Media / DMCA
2015 — 2018
Lookie-Lookie
Publishing Project | Website & Book
2016 — 19 | Co-founded with artists Natalie Westbrook and Christian Hendricks; this quarterly web journal featured interviews, artist writings, and studio visits with over 35 artists. In 2019, the website was archived and published as a book. Copies of this publication can be found in the Haas Arts Library at Yale University and online. Archival video documentation of the website is linked below.
